Naumann Johann Gottlieb (1741-1801)
La Passione di Gesu Cristo (1767)
Aria Pietro “Se a librarsi in mezzo all’onde”
Tenor fagotto obligato, strings
See link to on-line solo fagotto part and the Padua cadenzas.
The Italian Oratorio vol 27 Garland Publishing,
1986 Ed Howard E Smither pp 123-167,
Sächsische Landes-Staats-und-Universitätsbibliothek Dresden.
Mus 3480-D-7 (Bd1-2)
CD La Stagio Armonica, Balestracci cpo 777 365-2, 2008 CD 2, track 12
http://www.classicsonline.com/catalogue/product.aspx?pid=692347#
YouTube (recit and aria, Aligi Voltan): http://www.youtube.com/watch?v=HZTEl6_dpR8
This is a bassoon obbligato in classical concerto style!
Performance time 12 min.
In Padua, there is a score of this aria with only the voice, bassoon and
continuo parts but with added bassoon cadenzas .
(Archivio Musicale della Capella Antoniana Padova D IV n.1465).
(This aria is in Naumann's Padua 1767 setting of La Passione,
but is not in the 1787 Dresden version.)
It is notable that at least four composers wrote bassoon obbligati for tenor
arias in the Metastasio setting of La Passione.
Naumann and Salieri: Pietro “Se a librarsi in mezzo all’onde incomincia il fanciulletto”
Paisiello: Giovanni “Dovunque il guardo giro”
Lucchesi: Giuseppe “Torbido mar che freme”,
Aria nell'opera d. Naumann
"La Notte oh Dio non dorizo perduto"
Tenor , obligato fagotto, oboes, horns, strings
Sorø Akademi Bibliotek, Sorø, Denmark. Shelf R336, RISM 150201677.
This is a major bassoon obligato, but the opera of origin is not clear from this copy.
L’Achille in Sciro (1767)
Recit “Che vidi che ascoltai”, Rondo “Ah se perdo”
Soprano, oboe primo solo, fagotto primo solo, strings, oboe 2, fag 2, horns
Universitäts- und Landesbibliothek, Münster, RISM 450.001.120
La Clemenza di Tito (1769) Scene 15a
Aria: Vitellia "Tremo fra dubbi miei pavento", preceded by recit "Misera che faro"
Soprano, obligato oboe, obligato fagotto, orchestra
Sächsische Landes-Staats und Universitätsbibliothek, Dresden.
D-Dl Mus-3480-F-3, Band 2; RISM 270002590.
Acis and Galatea (1801) Act 1, #11 “Chi non soffre, chi non pena”,
Soprano, tenor, two bassoons, orchestra
Act 2, #21 “Dolce oggetto di mie brame”,
Soprano, clarinet, bassoon, orchestra
Score on-line at http://www.opernprojekt.uni-koeln.de/
Act 1, pp 110-8, Act 2, pp 226-38.
CD Bernius, Stuttgart Orfeo C222 022 CD 1 track 11, CD 2 track 21.
YouTube: http://www.youtube.com/watch?v=lHTrbjl_ouY
La Dama soldato (1791)
Act 2, Canzonetta “Vino vecchio e donne giovani”
Trio, SSB, oboe, bassoon, orchestra
Act 2, “L’amor che m’accende”
Soprano, solo oboe, solo bassoon, orchestra
Score on-line at http://www.opernprojekt.uni-koeln.de/
Act 2, pp 41-65, 88-105.
Protesilao (Pasticcio) (1789)
Aria Pilade “Sento che un freddo orrore”
Tenor, solo fagotto, orchestra
RISM 451.015.435
Santini-Bibliothek Münster Germany
D-MÜs Shelf No. SANT Hs 2809
This work was in part written by Johann Friedrich Reichardt